Cineplot Photo Gallery » Bollywood http://cineplot.com/gallery Sun, 26 Dec 2010 13:46:08 +0000 en hourly 1 http://wordpress.org/?v=3.0.3 Style – Vimi – Gorgeously undressed (1970) http://cineplot.com/gallery/style-vimi-gorgeously-undressed-1970/ http://cineplot.com/gallery/style-vimi-gorgeously-undressed-1970/#comments Sun, 21 Nov 2010 04:43:31 +0000 admin http://cineplot.com/gallery/?p=1337
Vimi

Vimi

Gorgeously undressed – in contrast to her screen image (“Hamraaz” , “Aabroo”). Two of Vimi’s starrers awaiting release – “Patanga” and “Vachan” – co-star Shashi Kapoor (Filmfare Magazine, 1970)

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Style – Shyama in exquisite white sari (1956) http://cineplot.com/gallery/style-shyama-in-exquisite-white-sari-1956/ http://cineplot.com/gallery/style-shyama-in-exquisite-white-sari-1956/#comments Sun, 24 Oct 2010 20:35:14 +0000 admin http://cineplot.com/gallery/?p=1240 Shyama

Shyama

Floral embroidery in pastel shades lends enchantment to this exquisite white sari worn with high-necked choli.

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Style – Shyama in kurta-gharara (1956) http://cineplot.com/gallery/style-shyama-in-kurta-gharara/ http://cineplot.com/gallery/style-shyama-in-kurta-gharara/#comments Sun, 24 Oct 2010 20:32:54 +0000 admin http://cineplot.com/gallery/?p=1236 Shyama

Shyama

Black velvet, ideal for winter evening wear. Shyama models a kurta-gharara outfit embroidered lavishly in gold kesab. The flowing white odhni adds a note of sophistication.

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Style – Shyama in white georgette sari (1956) http://cineplot.com/gallery/style-shyama-in-white-georgette-sari-1956/ http://cineplot.com/gallery/style-shyama-in-white-georgette-sari-1956/#comments Sun, 24 Oct 2010 20:29:42 +0000 admin http://cineplot.com/gallery/?p=1233 Shyama

Shyama

The skirt of the white georgette sari is embroidered with gold titlis and kasab. A fairy light touch of titlis is placed all over the sari. Shyama wears plenty of jewellery with this sari – a diamond-and-ruby collar mounted on a black velvet band, matching earrings, a jewel-encrusted tikka in the parting in her hair, and gold bangles.

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Style – Shyama in red and gold sari (1956) http://cineplot.com/gallery/style-shyama-in-red-and-gold-sari-1956/ http://cineplot.com/gallery/style-shyama-in-red-and-gold-sari-1956/#comments Sun, 24 Oct 2010 20:24:40 +0000 admin http://cineplot.com/gallery/?p=1230 Shyama

Shyama

The popular Indian combination of red and green is effectively employed in the ensemble in the large picture. The red and gold sari of sheer Indian silk is worn with a check-patterned choli in green and gold. Note Shyama’s magnificent diamond necklace.

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Style – Shyama in Blue lace-up-jeans (1956) http://cineplot.com/gallery/style-shyama-in-blue-lace-up-jeans-1956/ http://cineplot.com/gallery/style-shyama-in-blue-lace-up-jeans-1956/#comments Sun, 24 Oct 2010 20:21:00 +0000 admin http://cineplot.com/gallery/?p=1226 Shyama

Shyama

Shyama in blue lace-up jeans and a cherry-red sweater with the new three-quarter-length sleeves. Gold hoop earrings are her only ornament.

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Style – Cabaret Queens – Jayashree and Meena Talpade http://cineplot.com/gallery/style-cabaret-queens-jayashree-and-meena-talpade/ http://cineplot.com/gallery/style-cabaret-queens-jayashree-and-meena-talpade/#comments Sat, 16 Oct 2010 18:20:29 +0000 admin http://cineplot.com/gallery/?p=1189 _______________

BinduFaryalHelenJayashree & Meena Talpade

MadhumatiPadma Khanna

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Meena Talpade

Meena Talpade

Jayashree Talpade

Jayashree Talpade

Jayashree and Meena T (“T” stands for Talpade, their surname), sisters, began as junior artistes. Jayashree later chose to specialize in dancing (particularly sexy dances) and was an instant success: she is considered among the best dancers on the Hindi screen today. Meena, the elder of the two, showed a flair for acting (“Umang”, “Khilona”, “Jungle Mein Mangal”). Both have a number of assignments on hand – June, 1973

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Style – Cabaret Queens – Padma Khanna http://cineplot.com/gallery/style-cabaret-queens-padma-khanna/ http://cineplot.com/gallery/style-cabaret-queens-padma-khanna/#comments Sat, 16 Oct 2010 18:14:43 +0000 admin http://cineplot.com/gallery/?p=1186 _______________

BinduFaryalHelenJayashree & Meena Talpade

MadhumatiPadma Khanna

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Padma Khanna

Padma Khanna

In film vocabulary, “hot” dance numbers and Padma Khanna are synonymous – everybody likes her dances, except Padma herself (that’s what she says anyway). After the “Johny” number producers want her to strip more and more, and poor Padma has willy nilly to do it. The dusky actress had pinned her hopes on films like the forthcoming “Soudagar”, in which she has to do some acting too – June, 1973

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Style – Cabaret Queens – Madhumati http://cineplot.com/gallery/style-cabaret-queens-madhumati/ http://cineplot.com/gallery/style-cabaret-queens-madhumati/#comments Sat, 16 Oct 2010 18:10:52 +0000 admin http://cineplot.com/gallery/?p=1183 _______________

BinduFaryalHelenJayashree & Meena Talpade

MadhumatiPadma Khanna

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Madhumati

Madhumati

Madhumati sizzles – whatever the dance. She has done everything from Bhangra to cabaret. On stage Madhumati and her husband Deepak (not in picture) are dancing partners – June, 1973

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Style – Cabaret Queens – Faryal http://cineplot.com/gallery/style-cabaret-queens-faryal/ http://cineplot.com/gallery/style-cabaret-queens-faryal/#comments Sat, 16 Oct 2010 18:07:58 +0000 admin http://cineplot.com/gallery/?p=1180 _______________

BinduFaryalHelenJayashree & Meena Talpade

MadhumatiPadma Khanna

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Faryal

Faryal

“…Believe me it isn’t a common experience having one’s bra opened by Shatrughan Sinha. It is a very, very different experience. He is simply fabulous… “The mere recounting of her beroom scenes with Shatrughan in “Heera” seemed to send Faryal into a fit of ecstasy.

We hoped he doesn’t oversteps the limits of the script on such occasions.

“Shatru?” No. Premnath does. In ‘Gold Medal’ there is a scene-of both of us lying on a sofa. But during the shot he rolled down on to the carpet taking me along with him! Believe me, that wasn’t in the script. Several minutes passed and still the shot was not getting over. Everyone including the director Ravi Nagaich and Jeetendra, was watching the fun and having a good laugh when I got up and shouted ‘Will someone say cut, bloody soon?’ Premnath was the least bothered himself: poor chap, he gets drowned in his roles. I am terrified to work with him. Though I know he is a tremendous artist.” – June, 1973

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